It was created in 1914 and envisaged as a throwback to earlier Art Nouveau models.
Mixing two such strong typographic personalities is a risk that rarely pays off, as they end up fighting it out.Īllan Haley described Souvenir as being “like Times Roman dipped in chocolate” – playful, goofy and light. 10 Beautiful Font Combinations For All Your Design Needs 1 – Futura Bold & Souvenir We bring you ten perfect font pairings to suit all your design needs.
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However, with such a diverse world of professional typefaces (and a growing range of free fonts), how can you choose just two complimentary fonts? These four simple rules will provide you with visual harmony in most situations. This will undoubtedly present Futura as your primary font and Garamond as your go-to alternative for detail, extra information and support. Try an eye-catching, 30pt title in white sans-serif Futura, with a subtle, neutral grey, 12pt subtitle in serif Garamond. This can be achieved by varying the size and weight of each typeface or even incorporating colour into the mix. One should ideally be more prominent than the other. The most important thing when combining two very different fonts is establishing a clear hierarchy. Some fonts are members of ‘superfamilies’, which means they come with a selection of different weights, styles and classifications specially designed to work together.įor example, the Avenir superfamily includes the following sub-fonts: Avenir Heavy, Avenir Medium, Avenir Light, Avenir Next, Avenir Bold, Avenir Condensed, Avenir Roman, and Avenir Oblique, all of which come in italic, bold and regular font pairs.Īny font combinations will work well together, so you cannot go wrong by keeping it in the family. The most straightforward way of guaranteeing that a font pairing works perfectly is by using different fonts within the same typeface family.
So when it comes to font combinations, the golden rule is complement or contrast, but never conflict. Then you know you have found a pairing that rolls off the eye. The idea is that if you get the combo right, the viewer can almost not notice what you have done. The more similar they are, the more likely they will clash.Įqually, two very different fonts could be in danger of pulling your design in opposite directions. The whole idea of using multiple fonts is to create visual diversity, so there’s no point in choosing two that are broadly identical. The ideal combination should harmonise without risking being too similar. The last thing you want is both fonts to fight for the viewer’s attention. For starters, always look for font pairings that complement one another.
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